Summary Of Trifles By Susan Glaspell - 1204 Words

Susan Glaspell’s â€Å"Trifles How does a person react when they get angry? A person can react in numerous ways. Some get angry and cry, some get angry and laugh, and some get angry and react aggressively. Or all of the above. But is it truly worth getting aggressive with another? Susan Glaspell tells us of John Wright, a mean man who was strangled to death in his sleep. The author starts the play at the crime scene, his home. The kitchen was gloomy, the walls were covered with faded wallpaper, broken fruit jars on top of a shelf due to cold weather, there were even unwashed pans under the old iron sink. Due to this, it may be hard to believe he was married. Hale, was the first one to discover he was dead, besides his wife. In the play, he†¦show more content†¦Mrs. Peters reaction was sympathy towards Mrs. Wright because she knew she worried about the cold breaking the jars to her preserves. The men laughed at what they found unimportant. Hale says â€Å"Well, women are used to worrying over trifles† (Glaspell 820). Mrs. Hale and Mrs. Peters were to stay downstairs taking the task to put some things together for Mrs. Wright; Mrs. Peters was to be the one in charge of taking it to her, as County Attorney would go through it beforehand. Mrs. Peters found a quilt Mrs. Wright was piecing. The men again laughed at them for wondering if she was going to quilt it or knot it. As the men continued, the women found a few unsettling discoveries. Mrs. Peters found an empty bird-cage. Strangely enough, the door to it was broken, as if someone had been rough with it. Mrs. Hale reflects on the marriage of the Wrights, â€Å"Not having children makes less work-but it makes a quiet house, and Wright out to work all day, and no company when he did come in†. She then focuses on mean John Wright, â€Å"He didn’t drink, and kept his word as well as most, I guess, and paid his debts. But he was a hard man, Mrs. Peters. Just to pass the time of day with him-. Like a raw wind that gets to the bone. I should think she woulda wanted a bird. But what you suppose went wrong with it?†. Ms. Hale compares mean John Wright with sweet and kind Mrs. Wright, â€Å"She-come to think of it, she was kind of like a bird herself-real sweet and pretty, but kind of timid and-fluttery.Show MoreRelatedSummary Of Trifles By Susan Glaspell786 Words   |  4 PagesThe play Trifles is a one-act play written by Susan Glaspell. This play is a murder mystery. The husband of Mrs. Wright, John Wright, is strangled with a rope around his neck, but no one knows wh o did it. The main suspect, however, is his wife, Mrs. Wright. The farmer, Lewis Hale, discovered Mr. Wrights death when he went into his home to try to convince him to be in a party telephone line with him. County attorney, the town sheriff, and farmer Lewis Hale begin to investigate the house to try toRead MoreTrifles: a Moral Justifacation for Murder Essay1043 Words   |  5 PagesTrifles: A Moral Justification for Murder The one act play â€Å"Trifles† depicts the views and passions of both men and women during the late-nineteenth century regarding the role of a woman. The characters in the play are the County Attorney, the Sheriff, and Mr. Hale, who are accompanied by Mrs. Hale and Mrs. Peters into the Wright’s home to investigate the murder of Mr. Wright. The men feel that the women are only concerning themselves with little things and make several condescending comments throughoutRead MoreSusan Glaspells Trifles1479 Words   |  6 PagesSusan Glaspell’s 1916 play titled â€Å"Trifles† uses many elements of drama such as, diction and spectacle through the actions of the two women as they rummage through a unusually messy kitchen to develop complexity and hold the attention of the audience until the very end. Glaspell uses irony and common misconceptions to convey her powerful message â€Å"Trifles† is also a play that reflects a clear notion of gender and sex rol es. Glaspell, a feminist writer, writes plays that are known for their developmentRead MoreSusan Glaspell s Trifles 1358 Words   |  6 Pagesâ€Å"Trifles† is written by the mid-1900s feminist author Susan Glaspell. The one act play depicts the conflict surrounding the murder of John Wright and his wife’s, Minnie Wright’s, involvement in his strangulation. While this drama appears to tell the simple tale of a murder investigation, Glaspell intertwines her feminist views into the plot. The male and female characters’ investigations of John Wright’s death reveal a deeper meaning. The stark contrasts between the men and women in the story displayRead MoreScript Analysis of Trifles by Susan Glaspell910 Words   |  4 PagesScript Analysis of â€Å"Trifles† by Susan Glaspell Summary   In the play Trifles by Susan Glaspell, there are five characters, three men and two women.   They are in a house where the murder of Mr. Wright took place the day before.   The men are trying to find evidence to name a killer or motivation to name Mrs. Wright as the murderer.   While the men are downstairs, the women occupy themselves with looking around the kitchen and living room.   They take note of Mrs. Wrights canned fruit and the factRead MoreChanging The World : One Play At A Time1644 Words   |  7 Pagesof feminism are quintessential to the rise of free expression among women. A Doll House by Henrik Ibsen, and Trifles by Susan Glaspell both explore the unjust role of women in society, though in contrast, A Doll House develops the theme through a more complex external conflict. Trifles and A Doll House are both centered on marriage and both come from the woman’s point of view. In Trifles, the audience is introduced into the home of Mrs. Wright, which is being investigated as the scene to the murderRead MoreSusan Glaspell s `` The Yellow Wallpaper `` And A Jury Of Her Peers ``2004 Words   |  9 Pagesminorities dates back to the beginning of mankind. Women, in particular, fight for fairness even in today’s society. This everlasting battle can be seen in both â€Å"The Yellow Wallpaper† by Charlotte Perkins Gilman and â€Å"A Jury of Her Peers† by Susan Glaspell. Gilman’s story revolves around a woman who has postpartum depression. Her husband, who is also her physician, uses isolation to try and heal his wife’s â€Å"nervous disease.† Glaspell’s story, on the other hand, describes the murder of a man,Read More The Power Struggles in Jury of Her Peers and Mama Come Home Essay1110 Words   |  5 PagesThe Power Struggles in Jury of Her Peers and Mama Come Home The issue of dominance and subordinance is addressed in the short stories â€Å"A Jury of her Peers† by Susan Glaspell and â€Å"Mama Come Home† by James Tiptree, Jr. In the stories the subordinates are harmed by the dominants, but the subordinates overcome the suppression to triumph in the end. The groups with the power control the laws and the positions of the weaker group. To begin with, â€Å"A Jury of her Peers† is about the way womenRead MoreI Sleep Sound By Susan Glaspell1867 Words   |  8 Pagesâ€Å"I sleep sound† (Glaspell 619). These are the words of a woman defending herself against a horrific crime. Sound: it is a word that strikes us as something that might keep us up at night. In the correct context, it obviously implies noise. People often say, â€Å"That is an annoying sound,† or, â€Å"that sound is deafening.† These are what we think of when we hear the word, sound. Susan Glaspell’s play, â€Å"Trifles,† covers a crime scene that includes one witness, Mr. Frank Hale, who quotes the only suspect

Find Out Whos Discussing Essay Topics Related to Atmosphere and Why You Need to Be Concerned

Find Out Who's Discussing Essay Topics Related to Atmosphere and Why You Need to Be Concerned It's much better to use peer-reviewed articles and scientific publications since they provide relevant info. A study in glaciology may look to examine polar ice sheets, for instance, dependent on the satellite data along with current information supplied by geographic databases. Environmental problems ought to be handled by the united efforts of the international community. Supply an analytical summary of the key approaches to the educational practice. Although some say no cost public transportation would assist the environment and cut back traffic, others think absolutely free public transportation is too pricey, and the government can't afford to cover it. The topics covered within this list aren't exhaustive which means there's a wide array of more exclusive areas that must be researched. Solely by lowering the range of commodities that industry manufacture can we aspire to decrease the continuation levels to the all-natural atmosphere. Italy is an important city per of the largest nations in the world. Thus, don't be afraid to consult her or him if you stuck when deciding on a topic. Choosing wisely will mean that you will pick a topic you like and know well which will make the writing process far easier. Restate your thesis and don't introduce new ideas. Prepare your geography research paper step-by-step, and brilliant results are ensured! The target of a conclusion is to sum up the entire essay, but it shouldn't repeat the principal ideas word to word. Another good idea is to receive some completely free essay examples of different kinds and on various subjects to find a general idea of the way in which a prosperous debatable paper looks. A lot of people could write the ideal essay. To choose which subject you're likely to discuss, it's vital to see the complete collection of good persuasive speech topics from the specific area of study. Try to create your task easier by deciding on a subject of interest. Essay Topics Related to Atmosphere Help! The impacts of pollution are devastative. Restriction on the usage of fossil fuels and pollution control laws ought to be imposed strictly. Humans utilize a whole lot of fossil fuels in the business, construction and transportation which produce a whole lot of carbon dioxide to the planet's atmosphere. A good deal of garbage is thrown right into the water. Nearly everybody wishes to atmosphere precious. The contamination of the living environment results in the deaths of the whole organic ecosystems. Moreover, physical pursuits and sports are usually beneficial for transforming the wisdom and experience we've gained over the day or during a particular time period. Especially in case you'll like to generate your records from a selection of fashions for assorted customers. Early higher education commence periods undertake never basically have an effect on subconscious opportunity along with atmosphere. Describe the very first year of college. Besides lot's of explore When i determined which examining in connection with an individual for that the vast majority of widely used in addition to referred to mountain peak for this universe incorporates captivated men and women. Its use encourages the reader to consider what is happening in the book and what's going to take place. Whether it appears satisfactorily superior to justify the surplus effort is simply really a decision call that you are likely to need to create for your self. Though people believe education is a correct and will make society, overall, a better place for everybody, others feel there's no genuine means to provide a free college education as colleges would still must be funded (likely through tax dollars). The Good, the Bad and Essay Topics Related to Atmosphere Sharing is an easy and fast approach to come across comments on faculty missions. Word will be able to help you organize and make your records simpler. It can help you arrange and create your own records simpler. You also have to have ample amount of information on them as a means to publish a capstone endeavor. Find novels from the language you need to know about matters you adore, and you will have a wonderful time whilst learning. Finding the most suitable question has become the most important step in the writing procedure, and a bad decision can be disastrous. A vital bit of determining the ideal approach to compose records is constantly to understand the value of structure.

Primitivism Revisited Basquiat between Blackness, Otherness, and the Old-New Free Essays

string(108) " are viewed as ethnically, geographically or culturally â€Å"other† and are thus marginalised and excluded\." Introduction Primitivism in modern art is most commonly related with the depiction of non-Western motives and images, which are taken from different cultures and which show the fascination of the modern world with the cultural past of distant civilisations (Rhodes, 1994; Goldwater, 1986). Starting as a movement in the early 20th century, primitivism reflects a creative and powerful dichotomy between modernity and the past, and the rebellion against the established, mainstream order of depiction. In painting, primitivism is often associated with artists such as Paul Gauguin, Pablo Picasso, Henri Matisse, and Henri Rousseau (Rhodes, 1994; Goldwater, 1986). We will write a custom essay sample on Primitivism Revisited: Basquiat between Blackness, Otherness, and the Old-New or any similar topic only for you Order Now In their work the incorporation of non-Western tribal elements were combined with a non-linear way for perception of reality. Primitivism also reflected the desire of contemporary artists to return to the basics of human civilisation, and to re-live through their work the existence of ancient cultures (Rhodes, 1994; Goldwater, 1986). From a less philosophical perspective, primitivism is a trend which largely defies the traditional linear depiction and yet possesses extremely recognizable simplicity. This application of totally new ways of seeing and depicting the world marked several lines of opposition – the old versus the new, the linear versus the non-linear, the Western versus the non-Western. The very dichotomy which primitivism in modern art represents is a radically different visualisation, which will appear in the works of other artists such as Jean-Michel Basquiat, Gaston Chaissac, Jean Dubuffet, and Joaquin Torres-Garcia (Johnson, 2003). Their stark depictions reveal in an intricate and enticing manner the clash between the Western and the non-Western, between the old and the new, and would often present the objects and the people trapped inside these confinements. The purpose of this essay is to examine certain critical views on primitivism in art through the prism of Jean-Michel Basquiatâ€℠¢s work, in comparison with other artists considered primitive such as Picasso and Gauguin. For clarity, the rest of the paper is divided into several sections. The next section will provide a brief overview of Basquiat’s art and its significance. It will be followed by an analysis of two of the basic views of primitivism – the depiction of the non-Western, and the juxtaposition between the old and the new – both observed in the context of Basquiat’s work. Jean-Michel Basquiat: the Artist Born in New York and of American-Haitian-Puerto Rican origin in 1960, Basquiat’s sensational rise to fame in the 1980s was largely influenced by his unique pictorial style, combining a variety of techniques (Fretz, 2010). It was also influenced by his powerful social commentary which captured the essence of modern, as well as past hostilities such as the marginalisation of certain groups of society, and the role of the state and its institutions. Basquiat largely focused on the centrality of the human figure and individualism in these contexts (Fretz, 2010; Mayer, 2005). His depiction of the illnesses and the glory of the contemporary civilisation through the prism of black culture have made him one of the most celebrated modern painters of all times. What Marc Mayer calls â€Å"calculated incoherence† (Mayer, 2010: 50) reveals also one of the most distinguishable features of Basquiat’s work – keeping his audience in a state of â€Å"half-knowing†, of â€Å"mystery within familiarity† (Mayer, 2005:50). Some of his most notable works such as Flexible (1894), The Irony of the Negro Policeman (1981), Untitled (History of the Black people) (1983) and Untitled (Skull) (1984) have triggered an ardent debate on his rendition as a primitivist and neo-Expressionist painter. The following sections will explore the duality of Basquiat’s primitivism through his depiction of black culture as ‘black’ (from the perspective of race), and at the same time as ‘other’, (as a socio-historical entity). They will also look at his work as juxtaposition between the old and the new, and as a defiance of the traditional pictorial tradition. Basquiat, primitivism, and the Black heritage As mentioned earlier one of the signposts of primitivism is related to the depiction of non-Western cultures and ancient civilisations (Atkins, 1993; Rhodes, 1994; Goldwater, 1986). This view of primitivism as an expression of a certain type of historicity, bound by culture, tradition, and distinct heritage, is one of the underlying motifs in Basquiat’s work. His depiction of the Black civilization at various stages of its development does not fail to capture its complexity and variety. Paintings such as Untitled (History of the Black people) (1983) reveal the cultural richness of the African heritage, where Egyptians are depicted as Africans and thus their origin in terms of ethnicity is reaffirmed in the artist’s work (Frohne,1999). The painting also makes allusions to the slave trade in the United States, and the exploitation of labour in the American plantations. Another work which makes powerful allusions to blackness in a more sociological, rather than historical context is Irony of the Negro Policeman (1981). Here the whole concept is an oxymoron, as in Basquiat’s view the police represents oppression and the oppressive state, rather than the guardian of the order, and the Negro should be sympathetic to members of his race, rather than prosecuting and arresting them (Frohne, 1999). This re-ordering of the socio-political hierarchy which in Basquiat’s view has defined modernity for centuries reflects also a brave interpretation of â€Å"blackness† and â€Å"whiteness† not only as racial, but also as sociological and even moral categories. In this sense Basquiat’s primitivism is shown to reveal the deepest controversies in black history. It also reveals the black race’s â€Å"internalisation† of certain characteristics, historically attributed to the white race, such as oppression, restriction and control. In these two paintings Basquiat is making clear allusions to members of his own race, and referring to important social and historical developments which have defined its very existence. In the first one he is celebrating the glorious past of the Egyptian nation as belonging to the African continent, but in the second one he fiercely criticises the sociological transformations of his own race, manifested in the collective image of the oppressed-turn-oppressor Negro policeman. Here Basquiat’s message can be related to Said’s concept of Orientalism and â€Å"otherness† (1979) where certain groups are viewed as ethnically, geographically or culturally â€Å"other† and are thus marginalised and excluded. You read "Primitivism Revisited: Basquiat between Blackness, Otherness, and the Old-New" in category "Essay examples" Basquiat’s visualisation of the otherness to a large extent replicates that of Said, because it reflects the historical opposition between certain groups, and the complex transformations resulting from this opposition. To draw a comparison on this particular critical view of primitivism, it would be interesting to explore how blackness and the non-Western are captured in the works of other artists, often rendered as primitivist. In Picasso’s African period and probably most notable work of this time Les Demoiselles d’Avignon (1907) the African elements are dominant. Inspired by traditional African masks, the work has been renowned for its sharp, simple, geometrical shapes, which defy the traditional linear dimension popular throughout Europe at that time (Berger, 1989). Revolutionary both in pictorial style and messages, the painting is considered to have been a prelude to the birth of Cubism (Berger, 1989). Here Blackness is not the central theme of the work. While with Basquiat and the two works discussed previously the central focus is the black race and its historical and social transformations, in Picasso’s Les Demoiselles d’Avignon the influence of the African trad ition is most clearly seen through the geometric shapes and the angry, almost clumsy depiction of the figures. In this sense while Basquiat’s primitivism poses powerful political and social messages, which reveal perpetuating conflicts, Picasso’s African elements in Les Demoiselles d’Avignon are used as a technique which carries the over-burdened dichotomy between the female body and the ruthless masculinity of a predominantly male world. To draw another parallel, in Gauguin’s works, primitivism takes on a slightly different direction. In The Moon and the Earth (1893) and Spirit of the Dead Keeps Watch (1892) Gauguin celebrates Tahitian culture and its deep and versatile heritage (Solomon-Godeau, 1986). These two paintings however are also depiction of a highly powerful sexualisation of femininity, and reveal Gauguin’s views of Tahiti as an embodiment of sexual freedom and liberty (Solomon-Godeau, 1986). Although the artist has been criticised for his strictly male and thus exploitative views of female sexuality and freedom (Solomon-Godeau, 1986), the paintings discussed here reveal his idealistic views of the rural, as opposed to the industrial, and the free, as opposed to the restrained. These are all captured in his intense expressions of primitivism within the confines of a particular culture – that of Tahiti. In this sense to draw a parallel between Basquiat, Picasso and Gauguin’s primitivism is a challenging task. While Basquiat emphasizes certain racial confines and his paintings are bound by historicity, Picasso’s primitivism is far more technical and abrupt. Gauguin on the other hand reveals primitivism in the confines of a particular culture, which is different from the Western one, and thus non-Western, or â€Å"other†. However, while this â€Å"otherness† in Gauguin’s work is depicted as non-dichotomous and even peaceful, this section has revealed that exactly the opposite is true for some of Basquiat’s works. Basquiat, primitivism, and the old-new paradigm While we previously looked at Basquiat’s work as an expression of black culture and its transformations, this section will discuss his primitivism from a non-ethnic, non-racial perspective. It will look at primitivism as juxtaposition between the old and the new, and defiance of the conventional Euclidan pictorial style (Henderson, 2013; Atkins, 1993; Rhodes, 1994; Goldwater, 1986). To consider Basquiat’s primitivism simply as â€Å"racial† or â€Å"historical† is an oversimplification. In the words of Armand, Basquiat’s work has been problematically taken to be â€Å"the virtuosity of an African-American New York artist, whose urban multi-ethnicity is the mark of a chick ‘80s neo-primitivism† (Armand, 2000, n.p). The key word here is â€Å"multi-ethnic†. As much as the non-Western (in Basquiat’s sense – black) element is crucial in primitivism, we need to consider another critical perspective of this trend – the juxtaposition between past and modernity. In Basquiat’s work this juxtaposition transcends the confines of history and race. His primitivism is also expressed through his combination of contemporary elements and traditional ones inspired by classic art, poetry and literature. In this sense Basquiat is not simply a black artist. For example his painting Leonardo da Vinci’s Greatest Hits (1982) is a visual celebration of da Vinci’s fascination of the human body, whose anatomy was one of the centre themes for Basquiat himself. The painting can be easily interpreted as juxtaposition between the old and the new – one of the main tenets of primitivism as already mentioned earlier. It combines a contemporary pictorial technique, with motifs from da Vinci’s own work and is an allusion to the Renaissance. The work is an expression of primitivism in another way. It focuses on the importance of the individual and the human body as a manifestation of the new, and it defies the traditional, conventional dimensions of classical painting. The work is in many ways abstract, and influenced by the disjointed, vibrant, chaotic world of the modern, where the human figure is central. In this sense Basquiat’s work relates to primitivism, and reveals that his approach to implementing it is not entirely inspired by his ethnic origin or his incredibly powerful racial awareness. It is also bound by juxtapositions which go beyond these boundaries, and which reveal Basquiat not necessarily as a black artist but as an artist, whose perception of the complexities of the modern world is captured in the presumably less sophisticated and simple technique of primitivism. To quickly draw a parallel, Gauguin’s work which has already been mentioned in the previous section, will serve as an example here as well. His depiction of the people of Tahiti is not necessarily to be perceived only as bound by their cultural or ethnic predispositions, but also by their authenticity, understood by the painter as an antonym to the modern civilisation (Herbert, 1997). In Gauguin’s work, themes such as the peacefulness of the rural landscape, as opposed to the hectic reality of the modern world are prevalent. For example we can see how in Matamoe (Landscape with Peacocks) (1892) the naturalistic depiction reveals not only the artist’s attempt to return to the basics, but also to escape from the urban culture, and also from art which is unoriginal. It is an appeal towards a form of communication, which is â€Å"untouched by culture† (Radford University, 2013, n.p). In this sense both Gauguin and Basquiat reveal another important critical ten et of primitivism, namely the opposition between the old and the new, where the â€Å"primitive† vision began to signify the â€Å"true† vision, with true vision being the vision of the modern artist (Radford University, 2013, n.p). Primitivism here is revealed to be not only an amalgamation between the old and the new, but also a visualisation of a world, where the search for authenticity and meaning is key. While for Gauguin this search is manifested through his glorification of the non-urban, for Basquiat this quest for a different type of normality is depicted in his appraisal of the modern. Conclusion This essay has attempted to discuss some of the critical views of primitivism, in relation to the work of Jean-Michel Basquiat. It has shown that primitivism in Basquiat’s art has a certain type of duality. On one hand, the role of â€Å"blackness† and â€Å"otherness† as an expression of racial awareness and socio-economic, even historical oppositions is crucial. On the other hand, we have observed how this is transformed into another tenet of primitivism, which transcends the confines of the racial debate and takes us to another one – the debate between the old and the new. Basquiat’s modern man is central to his paintings, despite some of his early social commentaries against consumerism and the modern society. In this sense Basquiat’s work goes beyond the framework of art, because of its strong moral and sociological impetus. His paintings mark some of the most poignant and at the same time the most exuberant passages of human history, an d serve as a fascinating reminder not only of the durability of his own work, but also of the perpetuation of the themes which his art so strongly captures. Bibliography: Armand, L. (2000) â€Å"Jean-Michel Basquiat and the Art of (Dis)empowerment†, from a lecture at the Comparative Studies Colloquium, August 30, Monash University, Melbourne, Australia, Available at: http://www.americansuburbx.com/2013/10/jean-michel-basquiat-art-disempowerment-2000.html, Accessed 13/11/2013 Atkins, R. (1993) Artspoke: a Guide to Modern Ideas, Movements, and Buzzwords, 1948-1944, NYC: Abbeville Press Berger, J. (1989) The Success and Failure of Picasso, NYC: Pantheon Books Frohne, A. (1999) The African Diaspora: African Origins and New World Identities, Bloomington, Indiana: Indiana University Press Goldwater, R.J. (1986) Primitivism in Modern Art, Cambridge, MA: Harvard University Press, pp. 3-86 Henderson, L.D. (2013) The Fourth Dimension and Non-Euclidean Geometry in Modern Art Cambridge, MA: MIT Press Herbert, R. L. (1997) Peasants and â€Å"Primitivism†: French Prints from Millet to Gauguin, Washington: Washington University Press Johnson, K. (2003) Art in Review, ‘Fire under the Ashes’ – ‘From Picasso to Basquiat’, The New York Times, Published: December 19, 2003 Available at: http://www.nytimes.com/2003/12/19/arts/art-in-review-fire-under-the-ashes-from-picasso-to-basquiat.html Accessed: 13/11/2013 Mayer, M. (2005) Basquiat, ed, Merrel Publishers in association with the Brooklyn Museum Radford University (2013) â€Å"Gauguin: Primitivism and Synthetic Symbolism†, Available at: http://www.radford.edu/rbarris/art428/gauguin.html, Accessed 13/11/2013 Rhodes, C. (1994) Primitivism and Modern Art, Thames and Hudson Said, E. (1979) Orientalism, New York: Random House Solomon-Godeau, A. (1986) â€Å"Going Native: Paul Gauguin and the Invention of Primitivist Modernism† in Modernism in the Expanded Discourses: Feminism and Art History, N. Broude and M. Garrard (ed), NYC: Harper Collins Paintings: Jean-Michel Basquiat Flexible (1984) The Irony of the Negro Policeman (1981) Untitled (History of the Black people) (1983) Untitled (Skull) (1984) Leonardo da Vinci’s Greatest Hits (1982) Paul Gauguin The Moon and the Earth (1893) Matamoe (Landscape with Peacocks) (1892) Spirit of the Dead Keeps Watch (1892) Pablo Picasso Les Demoiselles d’Avignon (1907) Films: Basquiat (1996) Director: Julian Schnabel Country: United States How to cite Primitivism Revisited: Basquiat between Blackness, Otherness, and the Old-New, Essay examples